Results 21 - 40 of 91

12" / LP

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1,000.00 ฿

Nef ‎– Mais Alors!!?... C'est À L'Envers

Nef ‎– Mais Alors!!?... C'est À L'Envers
Label: Ici Bientôt ‎– IBLP-01
Format: LP, Reissue
Country: France
Released: 20 Sep 2019
Genre: Electronic, Rock, Folk, World, & Country
Style: Krautrock, Experimental, Post Rock

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1,000.00 ฿

Andrew "Madman" Jaga ‎– Wakabout

Andrew "Madman" Jaga ‎– Wakabout
Label: Dig This Way Records ‎– DTW003
Format: LP, Reissue, + Poster
Country: Italy
Released: 2019
Genre: Reggae, Funk / Soul, Folk, World, & Country
Style: African, Afrobeat, Funk, Highlife, Roots Reggae

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1,000.00 ฿

Pedro Ruy-Blas ‎– Cyber Dolores

Pedro Ruy-Blas ‎– Cyber Dolores
Label: Jazzaggression Records ‎– JALP721
Format: Vinyl, LP, Album, Limited Edition
Country: Norway
Released: 2019
Genre: Jazz
Style: Fusion

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1,000.00 ฿

Yaseen & Party ‎– Yaseen & Party

Yaseen & Party ‎– Yaseen & Party
Label: Afro7 Records ‎– AFR7-LP-05
Format: Vinyl, LP, Album, Compilation
Country: Finland
Released: 25 Oct 2019
Genre: Folk, World, & Country
Style: African

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1,000.00 ฿

Mongo Santamaria ‎– Fuego

"Fuego (released on the Vaya label) continues the soul-jazz of Mongo's Atlantic period but ranges a bit further, into funk and rock. "Fingers" is a bass-led original with psychedelic guitar recorded to sound as if it's being played several blocks away (much like an early Jimi Hendrix session). "Crazy Lady" is the other seriously funky track, although neither is essential. The original "Besame" is a fine, laid-back song in classic Mongo style; there are many other fine -- if not exactly thrilling -- moments, including "Malcolm X." "Last Tango in Paris" is billed as the hit single, and it does win hipness points over many other, more treacly versions; but the tune is so brief that it seems to be just a substitute for something catchier -- something on another album. Fuego flickers, but never quite ignites."
Review by Tony Wilds

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1,000.00 ฿

Pharoah Sanders With The Latin Jazz Quintet

Amazing Latin Jazz Record by Pharoah Sanders,
that also includes the Jazz-Funk winner "Harlem(B1)"

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1,000.00 ฿

The Har-You Percussion Group ‎– The Har-You Percussion Group

90's Reissue of this Latin holy grail, originally released in 1968.
This is Afro-Cuban Jazz at its finest!
Classic!

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1,000.00 ฿

Clifford Brown And Max Roach ‎– Study In Brown

This excellent album features tenor saxophonist Harold Land, pianist Richie Powell and bassist George Morrow. Max Roach accompanies the group brilliantly on drums, and it’s hard bop to the max, courtesy of one band that could have reached the heights in time.

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1,000.00 ฿

Rufus Harley ‎– King / Queens

There have been arguments regarding whether Rufus Harley meant some of the tracks on Kings/Queens to be humorous. Whether intended that way or not, the average listener reacts to his bagpipe version of the Byrds' "Eight Miles High" first with incredulity and then with guffaws. The same is true of the versions of "Love Is Blue" and especially "Windy," a lightweight pop tune that certainly has a unique sound when played on bagpipes fronting a blues band. On repeated listenings, one develops a sense of respect for the amazing skill that makes these cuts as listenable as they are. If they gave Grammys for inventiveness and sheer audacity, Harley would have a closetful. His version of "Moon River" is astonishingly effective despite the fact that the five-note octave of the bagpipe would seem to make this tune impossible for that instrument. If the whole album was made of pop tunes, this would be a novelty album to surpass all others, albeit one that wouldn't get played very often. What makes the album demand repeated play are the other two compositions, which are Harley's own. "Kings" is an extended duet for bagpipe and marimba -- not instruments one thinks of combining as a usual thing, but it's probably obvious by now that Harley thinks way outside the box. The two instruments create an instrumental dialogue that is very similar to an Indian raga, each playing various parts of a theme, sometimes relating to each other in ways that don't connect in any formal way but that work. "Queens," the closing track, is another duet for what sounds like Japanese koto and Scottish bagpipes. This piece is more meditative, with long passages in which one instrument develops an idea while the other accents it or plays a countertheme. These two extended tracks remind the listener that, while Rufus Harley may have played pop tunes on the first half of the album, his roots are in jazz -- and when he sets his mind to it, he plays jazz that can't be mistaken for anyone else.
Review by Ric

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1,000.00 ฿

Freddie Hubbard ‎– Polar AC

Trumpeter Freddie Hubbard's sixth and final CTI studio recording has its moments although it is not on the same level as his first three. Hubbard, backed on four of the five songs by a string section arranged by either Don Sebesky or Bob James, is assisted on songs such as "People Make the World Go Round" and "Betcha By Golly, Wow" by flutist Hubert Laws and guitarist George Benson. "Son of Sky Dive" showcases his trumpet with a sextet including Laws and tenor-saxophonist Junior Cook. The music is enjoyable but not essential and this LP has yet to appear on CD.

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1,000.00 ฿

Ahmed Abdul-Malik ‎– East Meets West: Musique Of Ahmed Abdul-Malik

Ahmed Abdul-Malik ‎– East Meets West: Musique Of Ahmed Abdul-Malik
All songs are the bomb, but check out "Mahawara" in particular.
Jazz mixed with Middle Eastern instruments.

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1,000.00 ฿

Herbie Hancock ‎– Man-Child

Perhaps the funkiest album of Herbie Hancock's early- to mid-'70s jazz/funk/fusion era, Man-Child starts off with the unforgettable "Hang Up Your Hang Ups," and the beat just keeps coming until the album's end. "Sun Touch" and "Bubbles" are slower, but funky nonetheless. Hancock is the star on his arsenal of keyboards, but guitarist Wah Wah Watson's presence is what puts a new sheen on this recording, distinguishing it from its predecessors, Head Hunters and Thrust. Others among the all-star cast of soloists and accompanists include Wayne Shorter on soprano sax, Stevie Wonder on chromatic harmonica, and longtime Hancock cohort Bennie Maupin on an arsenal of woodwinds.

Review by Jim Newsom

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1,000.00 ฿

Stan Clarke‎– Children Of Forever

Stanley Clarke's debut solo effort was issued when he was already a seasoned jazz veteran, and a member of Chick Corea's Return to Forever, which at the time of this recording also included Joe Farrell on soprano sax and flute, and the Brazilian team of vocalist Flora Purim and drummer/percussionist Airto Moreira. Produced by Corea, who plays Rhodes, clavinet, and acoustic piano on Children of Forever, the band included flutist Art Webb, then-new RtF drummer Lenny White, guitarist Pat Martino, and a vocal pairing between the inimitable Andy Bey and Dee Dee Bridgewater on three of the five cuts -- Bey appears on four. Clarke plays both electric and acoustic bass on the set; and while it would be easy to simply look at this recording as an early fusion date, that would be a tragic mistake. If anything, Children of Forever is a true cousin to Norman Connors' classic Dance of Magic and Dark of Light albums, which were also released in 1973; Clarke played bass on both. This is basically funky, spiritual jazz in the best sense. Yes, jazz. That wonderfully mercurial, indefinable force that brings into itself the whole of music, from popular to classical and folk forms, and makes something new out of them. The long title track with its killer vocal interplay between Bridgewater and Bey is seductive from the jump. Add Clarke's big fat bassline, which is mellow and meaty at the beginning, but after the long piano and guitar breaks in the middle becomes dirty, fuzzy, and spacy by the end as the cut leans into souled-out funk.

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1,000.00 ฿

Quincy Jones ‎– You've Got It Bad Girl

Review by Andy Kellman
Quincy Jones followed up Smackwater Jack and his supervision of Donny Hathaway's Come Back Charleston Blue soundtrack with this, a mixed bag that saw him inching a little closer toward the R&B-dominated approach that reached full stride on the following Body Heat and peaked commercially with The Dude. That said, the album's most notorious cut is "The Streetbeater" -- better known as the Sanford & Son theme, a novelty for most but also one of the greasiest, grimiest instrumental fusions of jazz and funk ever laid down -- while its second most noteworthy component is a drastic recasting of "Summer in the City," as heard in the Pharcyde's "Passin' Me By," where the frantic, bug-eyed energy of the Lovin' Spoonful original is turned into a magnetically lazy drift driven by Eddie Louis' organ, Dave Grusin's electric piano, and Valerie Simpson's voice. (Simpson gives the song a "Summertime"-like treatment.) Between that, the title song (a faithfully mellow version, with Jones' limited but subdued vocal lead), a medley of Aretha Franklin's "Daydreaming" and Ewan MacColl's "First Time Ever I Saw Your Face," and a light instrumental, roughly half the album is mood music, and it's offset with not just "The Streetbeater" but a large-scale take on "Manteca," a spooky-then-overstuffed "Superstition" (where the uncredited Billy Preston, Bill Withers, and Stevie Wonder are billed as "three beautiful brothers"), and the "Streetbeater" companion "Chump Change" (co-written with Bill Cosby). The best here can be had on comps, but the album is by no means disposable. [Given a straight reissue in early 2009 via Verve's Originals series.

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1,000.00 ฿

Awkward Corners ‎– Dislocation Songs

Awkward Corners ‎– Dislocation Songs
Label: Shapes Of Rhythm ‎– SORLP2
Format: Vinyl, LP
Country: UK
Released: 22 May 2020
Genre: Electronic, Jazz
Style: Abstract, Drone, Downtempo, Experimental, Future Jazz

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1,050.00 ฿

Yanti Bersaudara ‎– Yanti Bersaudara

Yanti Bersaudara ‎– Yanti Bersaudara
Label: La Munai Records ‎– LMR006, Groovyrecord ‎– GR002
Format: Vinyl, LP, Limited Edition
Country: Indonesia
Released: 2020
Genre: Rock, Funk / Soul, Pop, Folk, World, & Country
Style: Vocal

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1,100.00 ฿

Altın Gün ‎– Gece

Altın Gün ‎– Gece
Label: Glitterbeat ‎– GBLP-072
Format: Vinyl, LP, Album
Country: Europe
Released: 26 Apr 2019
Genre: Rock, Funk / Soul, Folk, World, & Country
Style: Folk, Psychedelic Rock, Funk

Released in a shrink-wrapped cover with 2 stickers affixed on the front.

Includes a download code that is glued onto the inner sleeve.

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1,100.00 ฿

The Paris Smith - Kenneth Hill Quartets

Label: Jazzaggression Records ‎– JALP709
Format: Vinyl, LP, Album, Mono
Country: Norway
Released: 23 Jul 2016
Genre: Jazz

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1,100.00 ฿

Astronomy Class ‎– Mekong Delta Sunrise

Astronomy Class ‎– Mekong Delta Sunrise
Label: Elefant Traks ‎– ACE 099, Elefant Traks ‎– ACE107
Format: Vinyl, LP, Album, Limited Edition, Red
Country: Australia
Released: 31 May 2019
Genre: Hip Hop

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