Results 1 - 20 of 28


400.00 ฿

Cytations ‎– Darling You Do / Suddenly

Limited Edition of 500

r-1505562-1224707922.jpeg (1)
500.00 ฿

Sharon Jones ‎– How Long Do I Have To Wait For You ?

Sharon Jones ‎– How Long Do I Have To Wait For You ?
Daptone Records ‎– DAP-1040
Vinyl, 7", 45 RPM, Single
Oct 2008
Reggae, Dub
A How Long Do I Have To Wait For You ?
B How Long Do I Have To Dub For You ?
Producer – Ticklah

600.00 ฿

A Tribe Called Quest ‎– Scenario

A Tribe Called Quest ‎– Scenario
Label: Mr Bongo ‎– MRB7154, Jive ‎– MRB7154
Format: Vinyl, 7", 45 RPM, Single, Reissue
Country: UK
Released: 21 Jun 2019
Genre: Hip Hop

web 05052020_200505_0006
600.00 ฿

Stanley Clarke ‎– School Days

Excellent jazz rock fusion album with a prominent role for the electric bass but also a role for the acoustic upright bass.
This album is different than other prominent bass jazz rock artists like Eberhard Weber and Pekka Pohjola. It is less folk and jazz influenced and has more funk and rock influences where Stanley actually plays chords on his bassguitar.

It has some Return to Forever-influences but it is clear that Stanley Clarke has a sound of his own. To augment the sound and colour of the songs, Stanley carefully picked the right musicians for each song, so the list of guests is long list. But the songs have a natural flow and fit together perfectly.

Also the addition of strings and brass makes it more than just a solo-bass album.

Highly recommended!

800.00 ฿

Benson & Farrell ‎– Benson & Farrell

This little-known CTI recording matches guitarist George Benson and Joe Farrell, a multi-reed player who mostly sticks to flute. Joined by a large rhythm section and sometimes two other flutists (including Eddie Daniels), Benson and Farrell play four originals by session arranger Dave Matthews, plus the standard "Old Devil Moon." This pleasing if not all that memorable instrumental date was recorded right after Benson's Breezin' (and before its release), ending the guitarist's CTI period right before he became a vocal star.
Review by Scott Yanow

web uploaded 29.04.2020_200429_0012
800.00 ฿

Booker T. Jones / Booker T. And The M.G.'s ‎– Up Tight (Music From The Score Of The Motion Picture)

Review by Steve Kurutz
Through the score of Booker T. Jones, the soundtrack to the 1968 Jules Dassin movie Uptight reflects the story of a young black man living in the ghetto during the turbulent time after the assassination of Martin Luther King, Jr. Containing the hit single "Time Is Tight," the soundtrack moves from soft and contemplative ("Children, Don't Get Weary") to driving and urgent ("Run Tank Run"). Though not one of Booker T. & the MG's' better albums, Uptight does contain the always exemplary musicianship that the MG's brought to their records, and it predates both the Superfly and Shaft soundtracks by three years.

800.00 ฿

20th Century Steel Band ‎– Warm Heart Cold Steel

On it the band translated soul classics such as Shaft and Papa Was A Rolling Stone to the steel drums, often extending the tunes into laidback jams that are a pleasure to listen to.

This could’ve sunk without a trace but the set’s Heaven And Hell, heavily sampled by the likes of Jennifer Lopez, Black Eyed Peas and LL Cool J, has helped keep the name alive. A welcome reissue.

(Mr Bongo)

900.00 ฿

The Dramatics ‎– Joy Ride

Review by Craig Lytle
Joy Ride featured three singles, the first being the dance track "Finger Fever." Ron Banks and L.J. Reynolds co-lead this gritty number with its multi-directional arrangement. The single peaked at number 23 on the R&B charts. The second release was the classic "Be My Girl." Simultaneously released with Michael Henderson's version, the Detroit quintet is in superior form on this soulful number. In addition to being the author of the song, Henderson also produced the Dramatics' version, which peaked at number three on the R&B charts. The final release was the grieving ballad "I Can't Get Over." Reynolds gives a breathtaking performance with his explosive baritone. This single also made the Billboard R&B Top Ten at number nine. While side one is more dance-oriented with moderately paced compositions, side two is more ballad-seasoned with mellow numbers. The group's sleek lead and background vocals remain consistent on every track, and not having any obvious album fillers is also a plus.

1,000.00 ฿

The Sylvers ‎– The Sylvers II

The Sylvers ‎– The Sylvers II
Label: Mr Bongo ‎– MRBLP162, Pride ‎– PRD-0026, MGM Records ‎– PRD-0026
Format: Vinyl, LP, Album
Country: UK
Released: 2018
Genre: Funk / Soul
Style: Soul

1,000.00 ฿

Andrew "Madman" Jaga ‎– Wakabout

Andrew "Madman" Jaga ‎– Wakabout
Label: Dig This Way Records ‎– DTW003
Format: LP, Reissue, + Poster
Country: Italy
Released: 2019
Genre: Reggae, Funk / Soul, Folk, World, & Country
Style: African, Afrobeat, Funk, Highlife, Roots Reggae

1,000.00 ฿

The Har-You Percussion Group ‎– The Har-You Percussion Group

90's Reissue of this Latin holy grail, originally released in 1968.
This is Afro-Cuban Jazz at its finest!

1,000.00 ฿

Rufus Harley ‎– King / Queens

There have been arguments regarding whether Rufus Harley meant some of the tracks on Kings/Queens to be humorous. Whether intended that way or not, the average listener reacts to his bagpipe version of the Byrds' "Eight Miles High" first with incredulity and then with guffaws. The same is true of the versions of "Love Is Blue" and especially "Windy," a lightweight pop tune that certainly has a unique sound when played on bagpipes fronting a blues band. On repeated listenings, one develops a sense of respect for the amazing skill that makes these cuts as listenable as they are. If they gave Grammys for inventiveness and sheer audacity, Harley would have a closetful. His version of "Moon River" is astonishingly effective despite the fact that the five-note octave of the bagpipe would seem to make this tune impossible for that instrument. If the whole album was made of pop tunes, this would be a novelty album to surpass all others, albeit one that wouldn't get played very often. What makes the album demand repeated play are the other two compositions, which are Harley's own. "Kings" is an extended duet for bagpipe and marimba -- not instruments one thinks of combining as a usual thing, but it's probably obvious by now that Harley thinks way outside the box. The two instruments create an instrumental dialogue that is very similar to an Indian raga, each playing various parts of a theme, sometimes relating to each other in ways that don't connect in any formal way but that work. "Queens," the closing track, is another duet for what sounds like Japanese koto and Scottish bagpipes. This piece is more meditative, with long passages in which one instrument develops an idea while the other accents it or plays a countertheme. These two extended tracks remind the listener that, while Rufus Harley may have played pop tunes on the first half of the album, his roots are in jazz -- and when he sets his mind to it, he plays jazz that can't be mistaken for anyone else.
Review by Ric

1,000.00 ฿

Freddie Hubbard ‎– Polar AC

Trumpeter Freddie Hubbard's sixth and final CTI studio recording has its moments although it is not on the same level as his first three. Hubbard, backed on four of the five songs by a string section arranged by either Don Sebesky or Bob James, is assisted on songs such as "People Make the World Go Round" and "Betcha By Golly, Wow" by flutist Hubert Laws and guitarist George Benson. "Son of Sky Dive" showcases his trumpet with a sextet including Laws and tenor-saxophonist Junior Cook. The music is enjoyable but not essential and this LP has yet to appear on CD.

1,000.00 ฿

Herbie Hancock ‎– Man-Child

Perhaps the funkiest album of Herbie Hancock's early- to mid-'70s jazz/funk/fusion era, Man-Child starts off with the unforgettable "Hang Up Your Hang Ups," and the beat just keeps coming until the album's end. "Sun Touch" and "Bubbles" are slower, but funky nonetheless. Hancock is the star on his arsenal of keyboards, but guitarist Wah Wah Watson's presence is what puts a new sheen on this recording, distinguishing it from its predecessors, Head Hunters and Thrust. Others among the all-star cast of soloists and accompanists include Wayne Shorter on soprano sax, Stevie Wonder on chromatic harmonica, and longtime Hancock cohort Bennie Maupin on an arsenal of woodwinds.

Review by Jim Newsom

web 05052020_200505_0004
1,000.00 ฿

Quincy Jones ‎– You've Got It Bad Girl

Review by Andy Kellman
Quincy Jones followed up Smackwater Jack and his supervision of Donny Hathaway's Come Back Charleston Blue soundtrack with this, a mixed bag that saw him inching a little closer toward the R&B-dominated approach that reached full stride on the following Body Heat and peaked commercially with The Dude. That said, the album's most notorious cut is "The Streetbeater" -- better known as the Sanford & Son theme, a novelty for most but also one of the greasiest, grimiest instrumental fusions of jazz and funk ever laid down -- while its second most noteworthy component is a drastic recasting of "Summer in the City," as heard in the Pharcyde's "Passin' Me By," where the frantic, bug-eyed energy of the Lovin' Spoonful original is turned into a magnetically lazy drift driven by Eddie Louis' organ, Dave Grusin's electric piano, and Valerie Simpson's voice. (Simpson gives the song a "Summertime"-like treatment.) Between that, the title song (a faithfully mellow version, with Jones' limited but subdued vocal lead), a medley of Aretha Franklin's "Daydreaming" and Ewan MacColl's "First Time Ever I Saw Your Face," and a light instrumental, roughly half the album is mood music, and it's offset with not just "The Streetbeater" but a large-scale take on "Manteca," a spooky-then-overstuffed "Superstition" (where the uncredited Billy Preston, Bill Withers, and Stevie Wonder are billed as "three beautiful brothers"), and the "Streetbeater" companion "Chump Change" (co-written with Bill Cosby). The best here can be had on comps, but the album is by no means disposable. [Given a straight reissue in early 2009 via Verve's Originals series.

1,100.00 ฿

Altın Gün ‎– Gece

Altın Gün ‎– Gece
Label: Glitterbeat ‎– GBLP-072
Format: Vinyl, LP, Album
Country: Europe
Released: 26 Apr 2019
Genre: Rock, Funk / Soul, Folk, World, & Country
Style: Folk, Psychedelic Rock, Funk

Released in a shrink-wrapped cover with 2 stickers affixed on the front.

Includes a download code that is glued onto the inner sleeve.

1,100.00 ฿

Minoru Muraoka ‎– Bamboo

Minoru Muraoka ‎– Bamboo
Label: Mr Bongo ‎– MRBLP195, United Artists Records ‎– SKK3001
Series: New Emotional Work Series – SKK3001
Format: Vinyl, LP, Reissue, Gatefold
Country: UK & Europe
Released: May 2019
Genre: Jazz, Folk, World, & Country
Style: Folk, Jazz-Funk

1,200.00 ฿

Roy Ayers ‎– Silver Vibrations

Roy Ayers ‎– Silver Vibrations
Label:BBE Records ‎– BBE493ALP
Format: 2 × Vinyl, LP, Album, Reissue, Stereo, Gatefold Sleeve
Released:22 Mar 2019
Genre:Electronic, Funk / Soul
Style:Jazz-Funk, Disco

1,200.00 ฿

Bob Ohiri & His Uhuru Sounds ‎– Uhuru Aiye

Bob Ohiri & His Uhuru Sounds ‎– Uhuru Aiye
Label: Superfly Records (2) ‎– SRLP032
Format: Vinyl, Limited Edition,
Country: France
Released: Sep 2019
Genre: Rock, Funk / Soul, Folk, World, & Country
Style: African, Afrobeat, Psychedelic Rock

1,200.00 ฿

Ayizan ‎– Dilijans

Ayizan ‎– Dilijans
Label: Superfly Records (2) ‎– SRLP033
Format: Vinyl, LP, Limited Edition, Reissue
Country: France
Released: Sep 2019
Genre: Jazz, Latin, Funk / Soul, Folk, World, & Country
Style: Folk, Compas

Page 1 of 2

Additional information