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SOUL / FUNK

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1,000.00 ฿

Quincy Jones ‎– You've Got It Bad Girl

Review by Andy Kellman
Quincy Jones followed up Smackwater Jack and his supervision of Donny Hathaway's Come Back Charleston Blue soundtrack with this, a mixed bag that saw him inching a little closer toward the R&B-dominated approach that reached full stride on the following Body Heat and peaked commercially with The Dude. That said, the album's most notorious cut is "The Streetbeater" -- better known as the Sanford & Son theme, a novelty for most but also one of the greasiest, grimiest instrumental fusions of jazz and funk ever laid down -- while its second most noteworthy component is a drastic recasting of "Summer in the City," as heard in the Pharcyde's "Passin' Me By," where the frantic, bug-eyed energy of the Lovin' Spoonful original is turned into a magnetically lazy drift driven by Eddie Louis' organ, Dave Grusin's electric piano, and Valerie Simpson's voice. (Simpson gives the song a "Summertime"-like treatment.) Between that, the title song (a faithfully mellow version, with Jones' limited but subdued vocal lead), a medley of Aretha Franklin's "Daydreaming" and Ewan MacColl's "First Time Ever I Saw Your Face," and a light instrumental, roughly half the album is mood music, and it's offset with not just "The Streetbeater" but a large-scale take on "Manteca," a spooky-then-overstuffed "Superstition" (where the uncredited Billy Preston, Bill Withers, and Stevie Wonder are billed as "three beautiful brothers"), and the "Streetbeater" companion "Chump Change" (co-written with Bill Cosby). The best here can be had on comps, but the album is by no means disposable. [Given a straight reissue in early 2009 via Verve's Originals series.

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600.00 ฿

Stanley Clarke ‎– School Days

Excellent jazz rock fusion album with a prominent role for the electric bass but also a role for the acoustic upright bass.
This album is different than other prominent bass jazz rock artists like Eberhard Weber and Pekka Pohjola. It is less folk and jazz influenced and has more funk and rock influences where Stanley actually plays chords on his bassguitar.

It has some Return to Forever-influences but it is clear that Stanley Clarke has a sound of his own. To augment the sound and colour of the songs, Stanley carefully picked the right musicians for each song, so the list of guests is long list. But the songs have a natural flow and fit together perfectly.

Also the addition of strings and brass makes it more than just a solo-bass album.

Highly recommended!

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1,500.00 ฿

John Coltrane ‎– First Meditations (For Quartet)

There have been many excellent Trane posthumous releases (commercialized in 77), but this one might just be the best ever. Graced with an unusual sleeve (especially for the Impulse! label), First Meditations was recorded in the last days of the first quartet, but obviously shelved, and later re-worked during the transition with the second quartet, with two drummers and two saxes. As this release’s name might indicate, this is the first version of the Meditations album that Trane recorded and released with his second classic quartet, but the tracks are played by the Tyner, Elvin and Jimmy quartet, and believe me, this is a much friendlier train of thoughts than the “official” album.

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800.00 ฿

20th Century Steel Band ‎– Warm Heart Cold Steel

On it the band translated soul classics such as Shaft and Papa Was A Rolling Stone to the steel drums, often extending the tunes into laidback jams that are a pleasure to listen to.

This could’ve sunk without a trace but the set’s Heaven And Hell, heavily sampled by the likes of Jennifer Lopez, Black Eyed Peas and LL Cool J, has helped keep the name alive. A welcome reissue.

(Mr Bongo)

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900.00 ฿

The Dramatics ‎– Joy Ride

Review by Craig Lytle
Joy Ride featured three singles, the first being the dance track "Finger Fever." Ron Banks and L.J. Reynolds co-lead this gritty number with its multi-directional arrangement. The single peaked at number 23 on the R&B charts. The second release was the classic "Be My Girl." Simultaneously released with Michael Henderson's version, the Detroit quintet is in superior form on this soulful number. In addition to being the author of the song, Henderson also produced the Dramatics' version, which peaked at number three on the R&B charts. The final release was the grieving ballad "I Can't Get Over." Reynolds gives a breathtaking performance with his explosive baritone. This single also made the Billboard R&B Top Ten at number nine. While side one is more dance-oriented with moderately paced compositions, side two is more ballad-seasoned with mellow numbers. The group's sleek lead and background vocals remain consistent on every track, and not having any obvious album fillers is also a plus.

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900.00 ฿

The Mar-Keys ‎– Memphis Experience

Review by Richie Unterberger
The Mar-Keys had a history of strange personnel changes; their previous LP (1969's Damifiknow!) had basically been Booker T. & the MG's-plus-horn section playing under the Mar-Keys name. Yet Memphis Experience was even stranger, demonstrating that the Mar-Keys at this point meant nothing more to Stax than a name that could be exploited. Three of the seven cuts were Bar-Kays outtakes that were scrapped when that band underwent one of its own numerous reorganizations. The rest of the album was recorded by an assortment of Memphis musicians. The result was serviceable period instrumental soul-funk, occasionally creeping into psychedelia (especially on the nine-minute "Cloud Nine," with several minutes of weird screams and whispers). It's an oddity in the Stax discography, related to the rest of the Mar-Keys' releases in name only, and not worth paying attention to unless you're determined to track down every available Stax recording. The album was combined with the 1969 Mar-Keys LP Damifiknow! onto a single-CD reissue in 1994.

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1,200.00 ฿

Norman Connors ‎– Dark Of Light

This is in the stone groove of earlier Connors delights -- New York club music, the nexus where disco and jazz collided and gave birth to a brassy sort of funk. Players abound here: Herbie Hancock, Cecil McBee, Gary Bartz, and Stanley Clarke, to name but a few. Soon after this, Connors had some hits and started making records he figured his "public" wanted to hear.
Review by Rob Ferrier

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1,000.00 ฿

Herbie Hancock ‎– Man-Child

Perhaps the funkiest album of Herbie Hancock's early- to mid-'70s jazz/funk/fusion era, Man-Child starts off with the unforgettable "Hang Up Your Hang Ups," and the beat just keeps coming until the album's end. "Sun Touch" and "Bubbles" are slower, but funky nonetheless. Hancock is the star on his arsenal of keyboards, but guitarist Wah Wah Watson's presence is what puts a new sheen on this recording, distinguishing it from its predecessors, Head Hunters and Thrust. Others among the all-star cast of soloists and accompanists include Wayne Shorter on soprano sax, Stevie Wonder on chromatic harmonica, and longtime Hancock cohort Bennie Maupin on an arsenal of woodwinds.

Review by Jim Newsom

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1,400.00 ฿

Bernard Wright ‎– 'Nard

Like Tom Browne and Lenny White/Twennynine, Bernard Wright was part of Jamaica, Queens' R&B/funk scene of the late 1970s and early 1980s, which gave us such major hits as Twennynine's "Peanut Butter" and Browne's "Funkin' for Jamaica." Browne and White were both talented jazz musicians, but R&B/funk was their main focus at that time. Similarly, keyboardist/pianist Wright occasionally flirts with instrumental jazz on his debut album, 'Nard, but pays a lot more attention to vocal-oriented soul and funk. The only instrumentals on this out-of-print LP are the jazz-funk smoker "Firebolt Hustle," the Rodney Franklin-ish "Bread Sandwiches," and a relaxed interpretation of Miles Davis' "Solar," which finds Wright forming an acoustic piano trio with bassist Buster Williams and drummer Roy Haynes. Otherwise, this is an R&B album that is defined by such impressive funk as "Spinnin'," "Master Rocker," and the goofy but wildly infectious "Haboglabotribin'." Recorded when the keyboardist/pianist was only 16, 'Nard was expected to be a big hit, but surprisingly, didn't fare as well as albums by Browne and White.
Review by Alex Henderson

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800.00 ฿

Booker T. Jones / Booker T. And The M.G.'s ‎– Up Tight (Music From The Score Of The Motion Picture)

Review by Steve Kurutz
Through the score of Booker T. Jones, the soundtrack to the 1968 Jules Dassin movie Uptight reflects the story of a young black man living in the ghetto during the turbulent time after the assassination of Martin Luther King, Jr. Containing the hit single "Time Is Tight," the soundtrack moves from soft and contemplative ("Children, Don't Get Weary") to driving and urgent ("Run Tank Run"). Though not one of Booker T. & the MG's' better albums, Uptight does contain the always exemplary musicianship that the MG's brought to their records, and it predates both the Superfly and Shaft soundtracks by three years.

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1,300.00 ฿

Freda Payne ‎– Reaching Out

Beautiful and powerful soul album by Freda Payne.
A good listen all the way through.
Kind of an essential Classic.

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800.00 ฿

Benson & Farrell ‎– Benson & Farrell

This little-known CTI recording matches guitarist George Benson and Joe Farrell, a multi-reed player who mostly sticks to flute. Joined by a large rhythm section and sometimes two other flutists (including Eddie Daniels), Benson and Farrell play four originals by session arranger Dave Matthews, plus the standard "Old Devil Moon." This pleasing if not all that memorable instrumental date was recorded right after Benson's Breezin' (and before its release), ending the guitarist's CTI period right before he became a vocal star.
Review by Scott Yanow

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1,300.00 ฿

Tower Of Power ‎– East Bay Grease

The first Tower of Power album, when the band was only honing its concept and seeking a lead singer. On some songs, notably "Sparkling in the Sand," you can hear the group beginning to come together. They already had a fine horn section, and were only some good arrangements away from becoming one of the best pop and soul bands in the nation. The vocals were uneven, although Rick Stevens would later emerge as the prime vocalist. Despite its flaws, it's worth having because the diamond was being cut on these selections.
Review by Ron Wynn

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1,400.00 ฿

Carrie Cleveland ‎– Looking Up

"Privately arranged, recorded and produced by Carrie and her husband Bill as a labour of love in their backyard studio in 1978, 'Looking Up' is one of the most in-demand soul/disco LPs in existence, sought-after in particular for their track 'Love Will Set You Free'.

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1,000.00 ฿

Freddie Hubbard ‎– Polar AC

Trumpeter Freddie Hubbard's sixth and final CTI studio recording has its moments although it is not on the same level as his first three. Hubbard, backed on four of the five songs by a string section arranged by either Don Sebesky or Bob James, is assisted on songs such as "People Make the World Go Round" and "Betcha By Golly, Wow" by flutist Hubert Laws and guitarist George Benson. "Son of Sky Dive" showcases his trumpet with a sextet including Laws and tenor-saxophonist Junior Cook. The music is enjoyable but not essential and this LP has yet to appear on CD.

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1,000.00 ฿

The Har-You Percussion Group ‎– The Har-You Percussion Group

90's Reissue of this Latin holy grail, originally released in 1968.
This is Afro-Cuban Jazz at its finest!
Classic!

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1,200.00 ฿

Sault ‎– 5

Sault ‎– 5
Label:
Forever Living Originals ‎– FL00002
Format:
Vinyl, LP
Country:
UK
Released:
16 Aug 2019
Genre:
Rock, Funk / Soul
Style:
Alternative Rock, Afrobeat, Soul
Tracklist
A1 Up All Night
A2 Don’t Waste My Time
A3 Foot On Necks
A4 Why Why Why Why Why
A5 Pink Sands
A6 Let Me Go
B1 Masterpiece
B2 A Little Bit Of Sault
B3 Something’s In The Air
B4 Think About It
B5 Wild Hundreds, Pt. 5
B6 We Are The Sun
B7 Wild Hundreds, Pt. 55
B8 B.A.B.E.

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1,200.00 ฿

Sault ‎– 7

Sault ‎– 7
Label:
Forever Living Originals ‎– FLO0003
Format:
Vinyl, LP, Album
Country:
UK
Released:
27 Sep 2019
Genre:
Rock, Funk / Soul
Style:
Funk, Soul, Disco, Afrobeat, Alternative Rock, Post-Punk
Tracklist
1 Over 2:25
2 No Bullshit 3:47
3 Feel So Good 3:07
4 Living In America 3:21
5 Tip Toe 3:09
6 Smile And Go 2:44
7 Threats 4:20
8 Red Lights 3:03
9 Friends 3:57
10 Waterfalls 4:00

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1,000.00 ฿

Andrew "Madman" Jaga ‎– Wakabout

Andrew "Madman" Jaga ‎– Wakabout
Label: Dig This Way Records ‎– DTW003
Format: LP, Reissue, + Poster
Country: Italy
Released: 2019
Genre: Reggae, Funk / Soul, Folk, World, & Country
Style: African, Afrobeat, Funk, Highlife, Roots Reggae

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1,200.00 ฿

Bob Ohiri & His Uhuru Sounds ‎– Uhuru Aiye

Bob Ohiri & His Uhuru Sounds ‎– Uhuru Aiye
Label:
Superfly Records (2) ‎– SRLP032
Format:
Vinyl, LP, Album, Limited Edition, Reissue, 180 gr
Country:
France
Released:
Sep 2019
Genre:
Rock, Funk / Soul, Folk, World, & Country
Style:
African, Afrobeat, Psychedelic Rock
Tracklist Hide Credits
A1 Ariwo Yaa
Written-By – Prince*
A2 Obhiha
Written-By – Bob Ohiri
A3 Aiye
Written-By – Bob Ohiri
B1 Nigeria London Na Lagos
Written-By – Bob Ohiri
B2 Imo State Express
Written-By – Uhurus*
B3 Africa Is Free For Us
Written-By – Bob Ohiri
B4 I Like To Be Free
Written-By – Bob Ohiri

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